Ideajuice Studios Blog

An ad for the amazing Blue Kitty slicing machine. Order yours today! Many thanks to Thundergas Menges, Kayden Oconnell and 1angelcares Writer for doing voice over for this on really short notice! Thanks to Evie Fairchild and Chantal Harvey for helping with the acting and double thanks to Evie Fairchild for doing fantastic scoring and foley. And of course thanks to Morgaine Dinova for having such a handy slicing attachment on her avatar!

An excerpt from Little Wooden Boy and the Little Jewish Genie for viewing by the audience at a conference that was held in Second Life on Saturday Jan 23, 2010. If you are viewing this on my blog, don’t watch this excerpt – watch the full length version a couple of posts earlier.

The conference was organized by Phaylen Fairchild and among the attendees were representatives from the William Morris talent agency and several other media companies. The focus of the conference was to discuss and explore ways in which machinima and virtual worlds could be used by traditional media concerns to produce content.

CodeWarrior Carling of Ideajuice Studios was one of the panel members along with Chantal HArvey, Pooky Amsterdam and Rosco Teardrop. The conference ran for approximately 2 1/2 hours, well over what was anticipated, largely due to a very strong interest by the audience in a Q&A session that took place after the formal part of the conference was over.

A video produced completely with iClone and featuring voice acting by several prominent Second Life personalities. Pooky Amsterdam plays the voice of the Genie, Thundergas Menges plays the voice of the orc, and CodeWarrior Carling plays the remaining parts.

The musical score was written by Evie Fairchild using Sonic Fire Pro. iClone and Crazy Talk work as well as video editing was done by CodeWarrrior Carling.

This is by far Ideajuice Studios most popular machinima to date, and a sequel is already being planned.

This is a video recording of an original play written by Z. Sharon Glantz (Lailu Loon in Second Life), performed live in Second Life.

This machinima was put together using footage from two cameras at each of four performances for a total of eight takes.